Ruth Vorobyova

Skie is a simple gothic sans serif typeface with normal, condensed, and wide families. Its distinguishing characteristics are the small x-height with tall ascenders, and a minimal amount of contrast, while the apertures are semi-open to help in readability. The simple design keeps the appearance fairly neutral and presents a blend of modern and vintage qualities. With 60 fonts in 10 weights and 3 widths making up the complete family, it could be considered a superfamily or workhorse as the widths — normal, condensed, and wide — all harmonize together to give the designer a variety of proportions and layout options to work with. Each width carries a little different tone and feel. Skie has many features: • Arrows • Discretionary ligatures • Case-sensitive punctuation for All Caps • Tabular figures • Fractions, numerators, denominators • Superscript, subscript • Slashed zero With almost 600 glyphs, this font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European.

»SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my new, very readable and friendly Sans typeface. »SIGMA« has that classical Sans beauty with friendly touches that make it unique. You will love this font. It is a great everyday workhorse with seven weights from Thin to Bold and all the necessary weights in between. Great for body copy and headlines! With 875 Glyphs it is a truly European font designed for all Central European and Latin using countries. »SIGMA« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures, many ligatures. »SIGMA« comes in Normal and Oblique, I made it Oblique instead of Italic which would have been too playful for this friendly font. Enjoy!

Quenbach is a classy and geometric font family that includes 36 weights. Especially, this Font family has elaborated the Kerning Process to be useful in Editorial Design. It also supports Cyrillic Basic Charset and OpenType Features including Small Caps. Basically, the glyphs were geometrically designed, and some glyphs were customized to improve readability. Of these fonts, the thin weight font is designed to be thinner than the other products. This thinnest stroke can be useful in editorial design. And Qunbach Condensed Font Family will be used more accurately for editorial and web designer's needs.

Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

Magdelin is a minimal yet warm gothic sans serif typeface consisting of 40 fonts with normal and alternate families. At its core, the design is a gothic sans having simple forms and low contrast, yet it takes some qualities from the humanist class with its calligraphy or cursive-inspired details found in the italics and the bowl shapes of characters like b and d. The weights range from thin to black. The small x-height, longer ascenders and descenders, and semi-condensed proportions give it a bit of a vintage or classic feel while still appearing contemporary and modern in current typographic landscapes. The clean design allows it to be a useful and versatile workhorse family great for branding, packaging, editorial, books, websites, digital, and more. With the alternate family (Magdelin Alt) comes even more calligraphic details by having certain strokes terminate with an angle so it reflects a broad-nib pen drawn at an angle. This increases the overall warmth in appearance. Magdelin has many OpenType features: • Stylistic alternates • Discretionary ligatures • Case-sensitive punctuation for All Caps • Tabular figures • Fractions, numerators, denominators • Superscript, subscript • Slashed zero With over 600 glyphs, this font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European.

Hello Walter is a nice and clean typography I made for my little boy Walter. The story behind is I want to create a bold font with less holes and funny shapes. More naive but still serious with a lot of glyphs easy to use in many language cyrilic included. Perfect for web and print, for making logos or children book and app. Have lot of fun.

Kontora is elegant, universal and laconic geometric sans. Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics. This version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages. It has basic ligatures and two sets of stylistic alternates. Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout. Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font.

Arlonne Sans Pro was conceived by Sacha Rein between 2015 and 2019 with a comfortable reading experience in mind. It's a humanist sans with neoclassical influences. Arlonne is a comprehensive font family with four weights and matching italics. It has a character set of about 1800 glyphs, including extended latin, small capitals, Cyrillic (with Bulgarian, Serbian, Macedonian and Ukrainian) and Greek (with Archaic and Polytonic), math symbols, figure styles and automatic fractions, ligatures, stylistic alternates and many more OpenType features. The goal was to achieve simplicity without sacrificing personality. The generous x-height and the contrast of strokes are increasing as the font gets bolder, resulting in relatively open counters even at the heaviest weight. This makes the font especially suitable for body text, even though the carefully designed characters work well for display purposes. The name Arlonne is derived from the small city of Arlon, a Walloon municipality of Belgium located in and capital of the province of Luxembourg. Spacing and kerning have been taken care of by Igino Marini's amazing iKern service.

Herbit is a handwritten sans serif font designed with the principle "Irregularity in regularity" so that herbit produces different shapes on each side of the character but looks in harmony and still maintain readability. The family contains 7 weights from Light to black with multilingual support and is ideally suited for branding, logo, advertising and packaging needs, editorial and publishing, as well as web and screen design.

Blacker Sans is Francesco Canovaro newest addition to the Blacker typeface family created for Zetafonts by Cosimo Lorenzo Pancini and Andrea Tartarelli after the inverse contrast Blackest. Born for flawless font pairing in complex branding and editorial projects, Blacker Sans parts with Blacker’s spiky wedge serifs without loosing its dark, elegant character while extending its weight range to include thin, extralight and heavy for maximum versatility in display use. Contrast in the typeface is reduced to grotesque proportions, with optical corrections and fine design details to express the family identity. The result is a highly legible workhorse family that manages to keep the signature details of Blacker: the hook shape of lowercase “f” is hinted in “a”, “c” and “e”, while a nod to the original family spiky shapes appears in the ink-traps in “n”,”m”,”r”, “P” and “R”. This combination of a robust design skeleton with fine design details makes Blacker Sans suited for body text usage but still expressive when set in large size for display or logo use. With its wide set of OpenType features ranging from ligatures (both standard and discretionary) to stylistic alternates, small caps, positional numbers, and alternate punctuation; and its 1000+ characters offering language support for over 200 languages using Latin, Cyrillic and Greek alphabets, Blacker Sans is ready to become your next best alternative to the same old boring grotesque sans typefaces for branding, editorial or digital design.

ATF Franklin Gothic® A new take on an old favorite Franklin Gothic has been the quintessential American sans for more than a century. Designed by Morris Fuller Benton and released in 1905 by American Type Founders, Franklin Gothic quickly stood out in the crowded field of sans-serif types, gaining an enduring popularity. Benton’s original design was a display face in a single weight. It had a bold, direct solidity, yet conveyed plenty of character. A modern typeface in the tradition of 19th-century grotesques, Franklin Gothic was drawn with a distinctive contrast in stroke weight, giving it a unique personality among the more mono-linear appearance of later geometric and neo-grotesque sans-serif types. Franklin Gothic has been interpreted into a series of weights before, most notably with ITC Franklin Gothic. But as the original type was just a bold display face (later accompanied by a few similarly bold widths and italics), how Benton’s design is expanded to multiple weights and styles as a digital type family can vary significantly. Benton designed several gothic faces that harmonize with one another, including Franklin Gothic, News Gothic, and Monotone Gothic, that can serve as models for new interpretations of his work. With ATF Franklin Gothic, Mark van Bronkhorst looked to Benton’s Monotone Gothic—originally a single typeface in a regular weight, and similar to Franklin Gothic in its forms—as the basis for lighter styles. ATF Franklin Gothic may appear familiar given its heritage, but is a new design offering a fresh take on Benton’s work. The text weights are wider and more open than some previous Franklin Gothic interpretations, and as a result are quite legible as text, at very small sizes, and on screen. ATF Franklin Gothic maintains the warmth and the spirit of a Benton classic while offering a suite of fonts tuned precisely for contemporary appeal and utility. The 18-font family offers nine weights with true italics, a Latin-extended character set, and a suite of OpenType features. Download ATF Franklin Gothic Font Family From ATF Collection Download Now View Gallery