Showing posts with label Fraktur. Show all posts
Showing posts with label Fraktur. Show all posts

Download Inked Bones Font Family From Mans Greback

Download Inked Bones Font Family From Mans Greback
Download Inked Bones Font Family From Mans Greback Download Inked Bones Font Family From Mans Greback Download Inked Bones Font Family From Mans Greback



Inked Bones is a hand painted blackletter typeface, created by Måns Grebäck during 2019. It works perfectly in Medieval contexts as well as in modern Gothic style typesetting. Use the typeface for a tattoo graphic or for your Middle Age project. The font supports all Latin-based European languages, contains numbers and all symbols you'll ever need.


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Download Wieynck Fraktur Font Family From RMU

Download Wieynck Fraktur Font Family From RMU
Download Wieynck Fraktur Font Family From RMU Download Wieynck Fraktur Font Family From RMU Download Wieynck Fraktur Font Family From RMU



Heinrich Wieynck’s blackletter font, carefully redrawn and redesigned for modern use. Due to its proportions, this blackletter font can also be used for body texts. This font contains the letter ‚long s‘ which can be reached in two ways. Either you use the OpenType feature ‚historical forms‘, or you type the summation sign on your keyboard. There are two graphic elements implemented, a corner element and a pearl for framing. The corner can be set by [alt] + [shift] + 1 for the outline, and [alt] + v for the filling. The pearl, set on a path, is accomplished by [alt] + [shift] + p for the outline, and [alt] + p for the filling.


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Download Vivala bl Font Family From Johannes Hoffmann

Download Vivala bl Font Family From Johannes Hoffmann
Download Vivala bl Font Family From Johannes Hoffmann Download Vivala bl Font Family From Johannes Hoffmann Download Vivala bl Font Family From Johannes Hoffmann



"Vivala bl" is particularly suitable for decorative typesetting. The blackletter typeface includes as a complement to the ornamental style also five narrow styles. It comes with various contextual alternates and ligatures.


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Download Fractus Font Family From Eurotypo

Download Fractus Font Family From Eurotypo
Download Fractus Font Family From Eurotypo Download Fractus Font Family From Eurotypo Download Fractus Font Family From Eurotypo



The requirements of Middle Ages scribes who copied and produced books in monasteries were fundamentally to preserve space, due to the high cost of the writing surface. During this long period of the development of Gothic forms, many other variations of the style of black letters appear: Textur or “Gothic-antique”, another group called Rotunda preferred by Italian and Spanish scribes. In 1490, the style "Bâtarde" (according to the the French classification) began to be widely used in Germany with more rounded shapes and named Scwabacher (probably derived from the city of Schwabach, but not certified) Fractur is a more condensed and narrower form than Schwabacher. This style is attributed to Johann Neudörfer of Nuremberg, cut in 1513; it was quickly imitated, therefore a few years later became to be a German national identity that extended over the next four centuries. The shape of its characters can be considered as a fusion of Texture and Schwabacher: the lowercase actually has medium strictly vertical and half curved strokes. The first expressions of the baroque influence this writing whose appearance of movement is due to the ornaments applied to the uppercase letters and the ascending and descending features of the lowercase. Despite having spent so many years and being a typeface not suitable for extensive reading texts, the Gothic Fractur has endured over time for possessing a strong and solid characteristic, as well as being closely linked to the spirit of gothic cathedrals of countries in northen Europe. In fact, it is probably that this expressive feature leads them to be chosen in the most varied graphic communication needs, which run from from banks and financial companies, insurers, law offices, publishers, newspapers and TV networks, till alcoholic drinks, funeral tombstones, packaging and even tattoos.


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Download Adso Font Family From Alfab

Download Adso Font Family From Alfab
Download Adso Font Family From Alfab Download Adso Font Family From Alfab Download Adso Font Family From Alfab



Adso was born out of a research that studied the possibility of reintroducing Gothic writing in our contemporary world. Inspired by Textura, Adso was decidedly freed of all those little details that make Blackletter faces appear foreign or even displeasing to the contemporary reader’s eyes. Nevertheless, the basic features of Gothic color were preserved: verticality, modularity, and darkness. Adso is a gothic font for today’s age, highly readable and open to all fields of expression.


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Download Darka Font Family From Sudtipos

Download Darka Font Family From Sudtipos
Download Darka Font Family From Sudtipos Download Darka Font Family From Sudtipos Download Darka Font Family From Sudtipos



Darka is a splendid, mysterious dark lady reincarnated in digital vectors as an original blackletter font. Her gothic, medieval, nocturnal attributes take the form of sharp terminals, seductive curves, calligraphic flair and complex character. Darka blends the balance of Textura, the flow of Fraktur and the elegant lowercase-to-uppercase ratio of Bâtarde into a stylish, inventive typeface with a Mexican soul. Starting as a personal, calligraphic hand, Darka slowly evolved into digital type, developing alternate glyphs, flourishes and special signs to preserve its hand-written origins and delicate tension, making it an excellent display typeface and, surprisingly, even a distinctive, crisp font for short texts. Darka received an Award of Excellence at the Type Directors Club of New York annual competition.


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Download VLNL TpDuro Font Family From VetteLetters

Download VLNL TpDuro Font Family From VetteLetters
Download VLNL TpDuro Font Family From VetteLetters Download VLNL TpDuro Font Family From VetteLetters Download VLNL TpDuro Font Family From VetteLetters



VLNL TpDuro was designed by chef Martin Lorenz and Juanra ‘Wete’ Pastor. Its concept was inspired by an Albrecht Dürer design from 1525, which shows a system to construct a gothic lowercase letter. Following the logic of this lowercase construction, but not the traditional uppercase letters of regular fraktur (brokenscript) alphabets, some brand new upper case letters were designed. The 45 degree tilted square that forms the basis of the letters, is as square and hard as a cracker. And we love crackers. You can put cheese on them. The ‘pixel’ feeling of the downstroke was intensified by repeating the rotated square module as often as they could. All this resulted in a strong, dark typeface with a steady rhythm, with one foot in history and the other in modern times. It works well as a display typeface for short texts, headlines and logos. Music festivals and heavy metal bands should also pay attention. This is hard stuff.


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