Griff is a family of sans serif typefaces with unusual stroke contrast. The ‘middle’ parts of many of the fonts’ letterforms are drawn with much thinner strokes than those found in the rest of typeface. The Griff family includes 10 styles; these are five weights that range from Light through Bold, each with an upright and italic font. The typeface is a bit humanist in style; its strokes end in horizontal or vertical cuts, rather than in diagonals. The letterforms’ counters are also mostly open. The fonts’ x-height is tall, and the lowercase letters’ ascenders rise slightly above the height of the capitals. Speaking of Griff’s capital letters, they are a bit narrower in the feeling than the lowercase. Several of Griff’s letters feature ‘vertical’ line segments that are actually slightly diagonal – in terms of draughtsmanship – which livens up text set with the fonts considerably. Griff is anything but monotonous. In its upright fonts, the ‘a’ is double-storey, while the ‘g’ is single-storey (both are single-storey in the italics). The lowercase ‘f’ has a descender in the italic fonts, too. The typeface’s diacriticals marks are streamlined in form, and they look very slick. Griff is the work of Frode Helland, a type designer from Norway. The fonts are best used in larger sizes, where their details can come clearly into view.
Showing posts with label Corporate. Show all posts
Showing posts with label Corporate. Show all posts
Download Griff Font Family From Indian Type Foundry
September 12, 2019
commercial
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commercial font
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Corporate
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corporate branding
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corporate design
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corporate.
Download NewsSans Font Family From CharacterType
NewsSans is a multi-tool typeface system incorporating no fewer than 90 styles. It was designed to allow a maximum range of visual shades when creating a typographic look, effortlessly ranging from loud and expressive, to subtle and reserved. The large x-height combined with low ascenders and descenders allows for tight and efficient designs. All sharp corners were trimmed off to add character and a nuance of extra space. NewsSans’ strokes link humanist curves with ‘American Grotesque’ details and solid square stems.
The system contains nine weights from hairline to black, and five widths from compressed to extended, each accompanied by a proper italic.
NewsSans is optimized (hinted) for best screen performance.
Download Veto Sans Font Family From Monotype
Veto® Sans is both highly legible and handsomely distinctive – a rare blend in a typeface.
It’s a design that stands out and fits in. Veto Sans is equally competent on screen and in print. It’s four carefully determined weights in both normal and condensed proportions, each with an italic complement, give the family an exceptionally deep range of applications. All the designs in the family are valuable design tools. None are superfluous.
Advertising, brand, corporate, editorial and interactive design are all in Veto Sans’ wheelhouse. It also shines in wayfinding and other signage projects. And to all these, it brings a warmth and personality. An ample x-height, open counters, vertical stroke endings and subtly condensed capital letters enable Veto Sans fonts to perform with grace in print and digital environments while being space efficient. An added benefit is that all-capital typography set in Veto Sans is not only space saving, it’s also easy to read.
Drawn as a complete reimaging of his earlier Veto design, Swiss designer Marco Ganz worked to create character shapes distilled to their purest forms while maintaining a relaxed and natural demeanor. Ganz, who is also a three-dimensional artist, is acutely aware that the negative space between letters and the internal space within letters is as important as the positive shape of the letters themselves. This dynamic balance between the negative and positive aspects of character forms gives Veto Sans a sense of immediacy without looking hurried. Ganz also took great care to draw a suite of italic designs that not only complement the roman weights perfectly, but also give the family a dynamic verve. A large international character set also ensures ease of localization. “Veto Sans,” says Ganz, “is a typeface for designers that search for a new a different solution to age-old typographic challenges.”
Download Associate Sans Font Family From Indian Type Foundry
September 06, 2019
Corporate
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corporate branding
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corporate design
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corporate identity
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Magazine
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magazines
Associate Sans is a large family of ten sans serif fonts. The typeface is perfect for use in Editorial Design. Its letters have a strong ‘American gothic’ look. This genre has been used since the early 20th-century for the design of publications, corporate identities, and even the small print in newspapers and magazines. While Associate Sans’s letterforms appear to be monolinear, this is not entirely so. Several optimal tricks have been drawn into the typeface’s letterforms to optimise them, and give them this look and feel. Like other ‘American gothics,’ Associate Sans features double-storey lowercase ‘a’ and ‘g’ letters. Each of the family’s five weights – from ExtraLight through Bold – has a companion italic font. These italics should really be called ‘obliques,’ since they use the same design language as the upright fonts; they differentiate texts set in them by their slant. Associate Sans is part of a larger ‘Associate’ type system. On FontStore, you’ll find several matching font families for this design, including Associate Slab, Associate Sans Stencil, Associate Slab Stencil, and even Associate Sans Mono. Associate Sans is designed by Jérémie Hornus and Alisa Nowak.
Download Bionik Font Family From Fontador
August 29, 2019
blur
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Branding
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capital sharp s
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contemporary
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contextual alternates
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Corporate
Bionik is a squarish serif, especially designed for contemporary typography on print and screen. The super ellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With light rounded corners Bionik provides a soft and friendly atmosphere.
The font contains 6 weights from ExtraLight to ExtraBold plus true italics. 944 glyphs include 218 ligatures, small caps, tabular, old style, fractions …, and a wide range of flexibility for latin language support for every typographical needs. Bionik is a contemporary serif typeface, special for logotypes, brands, magazines and editorial.
Download Jatayu Font Family From Khurasan
Download Youth Power Font Family From Khurasan
Download Sheppaloe Font Family From Khurasan
Download Rondana Font Family From Sudtipos
Crafted in the best tradition of the geometric sans-serif, Rondana is a typographic tribute to the the retro-futuristic aesthetics of the 1960s and 70s, as well as an exercise in purity of line.
However, its spirit is decidedly non-bauhausian, since its strokes intentionally deviate from the dull, obvious, ruler-and-compass construction; its arcs and curves being much more complex, tending towards a slightly square shape, imbued with subtle modulations. This sums up to a more organic, flowing, extroverted personality than the one just expected from the use of plain, simple geometry.
Another feature is the conscious use of non-standard shapes for many signs, that are quite legible but somewhat unexpected, such as the E, the g and the ampersand; making Rondana an excellent display face and also giving a particular flavor to the text composed in it, especially in its italic variants —which are, by the way, designer italics in their own right and not just an oblique version of the roman.
Rondana comes in twelve variants comprising a wide spectrum of weights, allowing for an extremely diverse range of expression.
Download Freud Font Family From Juraj Chrastina
Freud is a sans family of 9 weights ranging from hairline to extra bold (also available as a 5 styles Economy Pack).
It’s a legible face with straightforward geometry spiced with lovely humanist terminals. Some strokes are cut at an angle to enhance its identity.
Freud provides a strong partner both for screen and print projects.
Download Grosen Font Family From Hurufatfont Type Foundry
Grosen Typeface Family is designed by Oğuzhan Cengiz in the years 2017-2019. It has a grotesque structure that contains humanistic effect.
Although it is designed upon the basic geometric structure, it shows own style with expansion that makes a reference to serif at start and finish of round letters.
Grosen Typeface Family has fourteen styles with seven weights and theirs real italics. These have advanced OpenType features; like small capitals, case sensitive signs and math symbols, alternative characters (a, g, M, J, &), automated fractions, oldstyle figures, tabular linings, proportional numbers...
Download Mister Giacco Pro Font Family From Sudtipos
Download Brava Sans Font Family From Rafael Jordan
Brava Sans (the naked & extended version of Brava Slab) is a family of 8 weights, 2 widths and true italics. Designed for editorial purpose, it has a monolinear appearance with a humanist construction, open counters and a tall “x height” that give it a right personality for use in branding. Also Brava Sans has a lot of helpful features as a wide range cover of Latin languages, a lot of OpenType features, a new condensed width and two bolder and cooler weights that make Brava Sans a useful tool for the graphic designer.
A full range of numerals (included old style figures, lining, numerators, denominators, superiors, subs, circled and black circled), small caps, forty ligatures (between standard & discretionary ligatures), a lowercase superior and inferior set and a stylistic set are some of the features that makes Brava Sans a solid choice.
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